Why just look at the riches that unfolded in the wake of that album’s release in 2001: 1,000,000 copies sold worldwide, tours with Basement Jaxx and Moby, not to mention headline tours of their own and a Brit nomination for Best International Group. And it dosen’t stop there! Melody A.M. won Best Video for “Remind Me” at the European MTV awards and was named one of the Best Records of the Year by Rolling Stone, GQ, and UK magazines Jockey Slut, DJ, 7 and Ministry; Best Electronica Album by Entertainment Weekly; and “Band To Watch” by SPIN.

Thankfully, Torbjørn Brundtland and Svein Berge belong in the aforementioned group of venerated artists. That’s why The Understanding, the duo’s supposed “difficult second album” lest we forget, is so special. Once more defying easy categorization – it lurches from delicate widescreen cinerama to haunting house by way of boisterous electro bug outs – it is resolutely different to their first opus, but reassuringly the same in excellence. And whereas their curiosity on Melody A.M. took them from the producer’s studio to the live arena, here their undeniable wanderlust has seen them assume the mantle of 21st Century electronic singer-songwriters. “We needed to do something different,” explains Svein. “Something that was new to us, hence the lyrical approach.”

“We had to change our hairstyles though, we had to have bigger hair,” says Torbjørn, thus confirming in one instant that their surreal humor remains intact. “At one point we even had proper beards, some of it still remains.” Adds Svein. “You see, it’s part of the process you go through: the longer the hair and the beard, the more Beaujolais you drink. It’s stage three of the seven stages of song writing.” Stage seven, the attainment of songwriting enlightenment, is still unclear should you ask. But no matter, emboldened by their forays into playing live – “You can pop ‘On The Road!’ on your resume,” Svein helpfully states. “It’s an icebreaker, it shows you’ve got life experience,” – the confidence that they achieved “On The Road!” meant that the only pressure they felt going into the studio to record The Understanding was that which was applied by the building’s superintendent.

“He was always trying to find repair work,” Torbjørn says. “He would tell us that the bass drum was broken so we couldn’t use it. He was the only one adding pressure. Seriously, who was supposed to add the pressure? The record-buying public? I don’t think so. The critics? We’re not afraid of them. Our mindset, even on Melody A.M., has always been to do our own thing.” It’s an ethos that’s served them well. First track, “Triumphant,” serves notice of their “own thing”: a highly charged, Eno-esque, piece of emotional ambience it sets the scene for the multi-textual layers that follow. Lead single “Only This Moment,” featuring new vocalist Kate Havnevik, is joyous robotic soul soaked in a sunshine iridescence, while the stretched grooves of “49 Percent” betray a Prince-like fascination with Paisley Park psychedelic electro.

“Sombre Detune” shows a darker side while “Follow My Ruin” is electronic body music gone pop, which by rights should sound dreadful. It doesn’t. It’s sublime. “What Else Is There,” fronted by Karin Dreijer from The Knife, evokes an eerie Kate Bush meets Bjork coupling and ”Alpha Male” is this album’s riposte to Röyksopp’s “Night Out,” a gradual epic sweep redolent of John Carpenter giving way to a high octane rush. The shimmering narcolepsy of “Dead to The World” and “Tristesse Globale” rounds affairs off beautifully, but with a title as playful as The Understanding, what does it all mean? For their part, Torbjørn and Svein aren’t saying. Not for the time being anyway.

“Yes there is meaning,” Svein says. “But we believe there’s room for your own interpretation. Listen to the album and see if you can come up with your own.”

Torbjørn: “It’s like a classical painting like the Mona Lisa. When you tell people what they should look for, they only look at that thing.” A cop out? Not a bit. Anyway, they plan to let everyone know the real meaning of the album at a symposium a few months down the line. “We’ll hold the conference in Asia,” Torbjørn proffers. So, having side-stepped the thorny issue of making Melody A.M. II – The Understanding is generated in a rawer, more direct way they suggest – which album do the pair prefer? “That would be like comparing my children,” Torbjørn retorts. “Not that I have any.”

Svein takes the analogy one step further. Towards the gutter. “It’s like trying to compare two testicles. One is not better than the other. Both are vital to the Röyksopp anatomy.”

Röyksopp: The Understanding. It’s good to have them back. Different, but the same. The same, but better. Onwards and upwards…