IN STORES: SEPTEMBER 6, 2005

"one of the greatest voices in British rock"
- MOJO (UK)
“Superlungs shows why Jimmy Page asked him to join Zep in the first place- Classic Rock magazine (UK)

If one were to describe a band that was mix of folk, blues, metal, pure rock & roll, a fiery guitar attack, and a set of super lungs, one could easily think one was talking about one of the greatest rock’n’roll groups of all time - Led Zeppelin. That description however is reserved for just one man, Terry Reid, an artist whose immense vocal and songwriting talents led him to be Jimmy Page’s first choice as lead singer in Led Zeppelin. Forced to turn down Page's offer due to a contractual impasse, Reid quietly became the unsung architect of Led Zeppelin by leading Page to both Robert Plant and John Bonham.

TRACKLIST:
SUPERLUNGS MY SUPER GIRL
LOVING TIME
JULY
I'VE GOT NEWS FOR YOU
(previously unreleased)
SPEAK NOW OR FOREVER HOLD YOUR PEACE
STAY WITH ME BABY
WITHOUT EXPRESSION
SILVER WHITE LIGHT
HIGHWAY 61 REVISITED
PENNY (previously unreleased)
BANG BANG  - MY BABY SHOT ME DOWN
MAY FLY
TINKER TAYLOR
SWEATER
SOMETHING'S GOTTEN HOLD OF MY HEART
MARKING TIME
RICH KID BLUES
Born in 1949, Reid's vocal talents were apparent at a very early age, belting out the hits of the day perched atop a ladder at the age of 5 while his mother worked as a fruit-picker. Joining a school band when he was 12, Reid eventually drifted into the local club and cinema circuit, with a group called the Redbeats.

At 16 he caught the eye of Peter Jay, leader of The Jaywalkers who made Terry the front man. The power and conviction of Terry's performances led the band to be asked by The Rolling Stones and Ike & Tina Turner to support them during their 1966 fall tour. After two years of personal changes in the Jaywalkers, Terry became restless and got caught up in the electric blues explosion led by Hendrix and Cream.
In February 1968, Terry's friend Graham Nash convinced legendary manager/producer Mickie Most (The Yardbirds, The Animals, Donovan, Herman's Hermits, Lulu) to sign Terry. It was during this seminal 1968-69 recording period that Superlungs was compiled.
It was during this time that Terry came to the attention of Jimmy Page who was putting together the band that would become Led Zeppelin. John Paul Jones had already been picked as bassist and now Page eagerly wanted Reid's vocal power to front his new group, so he asked manager Peter Grant to get him. In a recent interview in Mojo, Jimmy Page recalls "We'd done a gig at Albert Hall - a great bill: us [The Yardbirds], the Stones, the Ike & Tina Tuner Revue, and this band Peter Jay and The Jaywalkers, which had Terry Reid in it. I remembered him as a really good singer, so I told Peter [Grant], that I wanted to start a group with Terry Reid, so could he get the office to find him. I had all these ideas and I wanted to get it right. So I'm back in England after the end of this Yardbirds tour, and Peter said 'Well I've located Terry, but he's just signed a solo deal.' I said 'Who with?' He said 'Mickie Most!' Now you know their two desks faced each other, right?!"

Reid notes, "Jimmy asked me to be the singer in Led Zeppelin but I'd just done a deal to support the Stones on their first US tour in three years.” Being confronted with the seemingly insurmountable legal ramifications of trying to pull out of both Mickie Most's contract and the touring deal with the Stones, Reid had to bow out.

“Meanwhile,” says Reid, “I was doing a gig. I think it was in Buxton with the Band of Joy. I'd seen them before, and I knew Robert Plant and John Bonham. And this time, as I watched them, I thought: 'That¹s it!' I could hear the whole thing in my head. So the next day I phoned up Jimmy. He said, 'What does this singer look like?' I said, 'What do you mean, what does he look like? He looks like a Greek god, but what does that matter? I¹m talking about how he sings. And his drummer is phenomenal. Check it out!' “

Robert Plant recently recalled Terry in an Uncut interview: "We were good friends because we seemed to be on the same circuit...we always seemed to be playing on the same bill together. He was one of those stellar vocalists along with Steve Winwood, Jess Roden and Steve Marriott, and he got the offer from his connection with Mickie Most, who shared an office with Peter Grant...so Terry said to Peter and Jimmy, "No I've go this thing going. But you should see my mate. Go and have a look at 'the Wild Man From The Black Country.'"

Listening to the tracks on Superlungs, the power of Terry's vocal performance and guitar work is jaw-dropping, perhaps more so for having been neglected all these years. Reid's high voice and delivery is reminiscent of the vocals Robert Plant recorded for Led Zeppelin just several months later, not to mention how Terry's composition "July" echoes the opening half of "Stairway To Heaven," predating that classic by nearly two years. What would Led Zeppelin been like with Terry Reid, making it a two guitarist group can only be guessed at. Interestingly enough, when asked about making the first Led Zeppelin album Plant confessed," I knew there were much better singers who could have brought it on home in a different way, like Steve Marriott or Steve Winwood or Terry Reid. But with them, the band would have gone in a different way. "

In his liner notes for Superlungs, writer Peter Doggett noted that it could be argued that Mickie Most's handling of Terry Reid's career was the major factor that held Terry back from the stardom he deserved, having to turn down even another high profile invitation - the request to be Deep Purple's lead vocalist. Most's contractual hold on Terry, the eclectic set of song choices and uneven production Reid felt forced upon him, not to mention the decision not even to release Reid's debut album in the UK (only being released in the US) all led to years of litigation with Most.

Despite these troubles Terry Reid's influence has continued to ripple through the rock world. Crosby, Still, Nash and Young recorded Terry's "No Expression" (originally slated for Déjà vu only to finally appear on the CSN box set. John Mellencamp recorded this same song as a new addition to his 1997 greatest hits package The Best That I Could Do and has noted that he considers Reid to be a major influence. Even Cheap Trick covered Terry's "Speak Now Or Forever Hold Your Piece" and Marianne Faithful recorded her own version of “Rich Kid’s Blues.”

Despite these missed opportunities Terry Reid remains upbeat as he continues to do the thing he loves best -- playing music. "I play every Monday night at this club called The Joint in Beverley Hills with Waddy Watchel" said Terry in a recent Uncut interview. "Robert Plant dropped by recently and we did 'Season Of The Witch,' which he said he always wanted to sing with me. Keith Richards has been down a couple of times and Roger Daltrey turned up and we did 'Stand By Me.' We do songs by everybody from The Ronettes to The Zombies. People say I'm the unluckiest man in rock, but it doesn't feel like that. Come down The Joint next time you're in LA and you'll see how I love what I do!"

FOR MORE INFORMATION VISIT: www.terryreid.com